Saturday, January 21, 2017

Sunset on the Departing Storm




"Sunset on the Departing Storm"
20” x 16”
Acrylic on Canvas

Some nights it takes longer to get home than others…particularly when there is an amazing sunset and I have to stop multiple times to take photos. This image represents just one short section of the spectacular panorama of sky we had one evening in early fall. After a rumbly storm that was more noise than moisture, the clouds moved east. Father Sun bid them goodbye in a wild array of color.

I’d wanted to paint this image for some time, but ordered myself to finish the two paintings I already had in progress. (I shared those two last week here and here.) Once I put the finishing touches on those, I eagerly broke out a new canvas and went to town—it was a dance—one of those paintings that practically paint themselves. The spirit of the painting gods flowed strong and powerful through me that afternoon. I started and finished within a matter of a few hours.

I wish I could say all paintings come together that easy. Most of the time there’s an element of struggle as I work through the challenges of shape, value, color, and hue. Other times, like this, they are a gift.

Sunday, January 15, 2017

Above Shearer Creek




"Above Shearer Creek"
16" x 20"
Acrylic on Canvas 

This was a hike full of surprises. Not like the usual surprises, like when Clint says, “Oh there’s a little hill, but then, it’s flat because you’re going along a stream bottom,” and then, it turns out the trail rollercoasters up and down along steep, rocky shoulders that line that flat stream bottom. That was a different trail…

This trail had more visual surprises—with a terrain that changed quite a bit along the way. We started up a gentle slope in Ponderosa forest that took us to the top of a steep, chaparral-covered hill with few large pines that survived the last fire. We looked out across a deep crease of a valley you’d never guess was there based on the terrain at the trailhead. 

The trail snaked its way down the hill, presenting a beautiful view, and eventually we saw the creek—way down in the bottom. It had rained recently and in the warm days that followed mushrooms had erupted everywhere: all shapes, sizes, and colors, sprouting out of the duff at the base of shrubs, boldly sitting on top of broad tree stumps, and edging the trail. 

At one point, we could see structures in the valley that appeared to be part a camp of some kind—maybe a dude ranch of sorts. We reached the creek and crossed over onto a rutted road that paralleled the drainage for a short stretch. It looked like a lot of water had come through the tight canyon, twigs, logs, and detritus lodged against anything that had resisted the deluge.

We crossed back over the creek, the trail narrowed and started to climb. It was a little slippery and rocky, that section having served as a funnel for rain runoff. We stopped for a short break at a wide spot to let a large party of dudes and dudettes go by on horses. While some looked at their phones, others looked at us in surprise, wondering why people would be walking up this steep, rain-beaten trail. One of the riders made a comment about how riding a horse was the better way to travel—to which we replied that we preferred experiencing the landscape up close and personal on foot—you see things you can’t see from the back of a horse, thank you very much. I was thinking about all the mushrooms we’d seen.

Up over the next hump the dirt turned red, the trail left the creek bed and it opened up into a bowled side canyon—the dirt and rock so red in the sun it hurt my eyes. The trail kept climbing and it was getting damn hot. We pushed on further and got to the top of the bowl where we were treated to this spectacular view across the canyon that opened up before us. We rested, enjoying the light breeze for a while before we turned around and headed back.

Saturday, January 14, 2017

First Snow




First Snow
16" x 20"
Acrylic on Canvas

I couldn’t wait for the first snow. I knew it would be beautiful—wide swathes of sparkling snow on the pastures, the tree trunks dark espresso from the moisture, their branches perfectly outlined with white, chubs of snow climbing up the windward sides of the trucks, sticking to the rough bark wherever it could defy gravity. 

Every tree holding the snow in a distinctive pattern: the oaks with clean, graceful branches, every little branchlet lit by snow, bunched globs at the junction of larger limbs spreading from the trunk. More dollops resting atop the remaining rusty leaves—a surprise of color in the nearly black and white landscape. 

The piƱon pines look as though snowy popcorn was dumped over them, filling the needled fingers of every branch, the pinecones framed with frost like a postcard image. 

Deep green against the slate sky, the towering Ponderosa pines are garnished with impossibly large clumps of snow that become snow bombs, leaving a trail of snow dust in their wake as they slip from the limbs and plunge toward the ground. 

Late in the day, the sun peeks out and everything bursts with color—but just for a moment before the sun slides behind the gray wall to the west. It starts to snow again in the cool, waning light.

Monday, December 26, 2016

Frosted Gingerbread



"Frosted Gingerbread"
24" x 14"
Acrylic on a reclaimed cabinet door

It was January, and we were heading to Salt Lake City. It was snowing like hell as we drove up the hill to Hesperus, cars spinning like ballerinas in slow motion despite their cautious creeping. It was a white-knuckler, for sure. 

That was the worst of it. Eventually the road got better and the snow lightened up. By the time we crossed into Utah, our shoulders were less bunched, our breathing more calm, and I finally let go of the "oh shit" handle as we drove out of the back end of the storm that was moving east.

The clouds seemed to break suddenly, erupting in blue sky and silvery bright sunshine that heightened the contrast of the red rocks iced in a thick layer of snow. It looked like frosted gingerbread.

I guess I was missing the cooler temperatures when I began this painting over the summer just before we moved. It was sweltering in that hot box we called home. Looking for respite, I took myself back to that cold day in January.

Saturday, November 26, 2016

Corn Maiden Moon




Corn Maiden Moon
Acrylic on an old cabinet door
14" X 10.5"
 
A showery day—late summer, creeping into fall—and I was headed home for the day. The sky was a cornucopia of cloud shapes: billowy towers, veils of purple and gray, and swathes of white, slate, and lavender—all layered across the deepening blue. One of the bands shifted and there was a brilliant pearl of a fat, full moon.  

I gasped and fumbled for my phone, hoping to snap a photo out the side window of the car. Of course, there was not one single red light to be had when I needed one, so at great peril and much scrabbling, one hand juggling my phone, the other steering the car, I managed to get a lopsided, blurry shot of the sky without crashing into anyone on the highway. Yes, art can be dangerous.

Can you guess why I called it Corn Maiden Moon?